RAJNIFICATION OF BOLLYWOOD

Indian Cinema in the seventies - it was the age of rage - anti establishment social rebels, fighting the powerful for the underdog.

Today, steeped in imbecility, one after the other, Salman Khan movies have been making it big, actually huge on the box office. But now Akki too has done it. Rowdy has crossed 100 cr and seems to be going steady. This seems to be heralding a new age in Indian Cinema, and going by the action scenes I would say this is the Rajnification of Bollywood.

Normally I would see such shots in south Indian cinema, and would switch channel in disgust. But now similar super man like scenes, men flinging cars with escape velocity into the sky, are there in Bollywood cinema also, and it is not important if those scenes are relevant to the storyline, but they attract a public which has disposal income, seeks along with excitement instant gratification, and is a generation which does not feel guilty pampering and indulging itself.

More importantly and even creditably stars like Salman Khan have finally discovered their groove. If you are doltish, dimwitted, have theatrical skills worth jeering, compounded by lack of credible educational qualifications of any mentionable worth, it is best that you act real on reel. In all probability, that is the type of role the audience will accept you in. If with the persona of an intellectual midget, you try smarty on celluloid, then the fate will be akin to Vivek Oberoi – oblivion.

For Salman with his diminutive IQ and countenance, acting smart and intelligent would be disastrous. But in acting stupid, (Sanjay Datta is the father of this school), gives the audience a mirthful experience and fetches sympathy for being unpretentious. And Salman’s steroid toned torso brings him the legitimacy to pull off such stunts that any other actor with normal build may actually fail to pull off.